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Digital picture, 1991. by Chris Wayan

Dance classes, once you're beyond basic technique, tend to go for La Grande Passion--understandable, since Euro-American art in general likes human drama, one big emotional focus. Just as they liked (until recently) a king, or a pope, or something. Centralized. Maybe that's not Euro, it's just human.

But as a small animal myself, I wonder if maybe I'm more of an emotional grape picker: a little feeling here, a little feeling there, never a watermelon, always a grape.

I mean always a bridesmaid, never a bride.

I mean...

A woman dancing with La Grande  Passion, while a vixen reaches up to pick grapes.

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