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Animal Transfiguration

Dreamed c.1920 by Edwin Muir.

INTRODUCTION

I... listen to a class of experiences which the disbeliever in immortality ignores or dismisses as irrelevant to temporal life. The experiences I mean are of little practical use and have no particular economic or political interest. They come when I am least aware of myself as a personality moulded by my will and time: in moments of contemplation when I am unconscious of my body, or indeed that I have a body with separate members; in moments of grief or prostration; in happy hours with friends; and, because self-forgetfulness is most complete then, in dreams and daydreams and in that floating, half-discarnate state which precedes and follows sleep. In these hours there seems to me to be knowledge of my real self and simultaneously knowledge of immortality. Sleep tells us things both about ourselves and the world which we could not discover otherwise. Our dreams are part of experience; earlier ages acknowledged this. If I describe a great number of dreams in this book I do so intentionally, for I should like to save from the miscellaneous dross of experience a few glints of immortality.

I have had many dreams about animals, domestic, wild, and legendary, but I shall describe only one at this point, as it seems to me to throw into an imaginative shape two of the things I have been writing about: our relation to the animal world, a relation involving a predestined guilt, and our immortality. All guilt seeks expiation and the end of guilt, and our blood-guiltiness towards the animals, tries to find release in visions of a day when man and the beasts will live in friendship and the lion will lie down with the lamb. My dream was connected with this vision.

THE DREAM

I dreamed that I was lying asleep, when a light in my room wakened me. A man was standing by my bedside. He was wearing a long robe, which fell about him in motionless folds, while he stood like a column. The light that fled the room came from his hair, which rose straight up from his head, burning, like a motionless brazier. He raised his hand, and without touching me, merely by making that sign, lifted me to my feet in one movement, so that I stood before him. He turned and went out through the door, and I followed him.

We were in the gallery of a cloister; the moon was shining, and the shadows of the arches made black ribs on the flagstones. We went through a street, at the end of which there was a field, and while we walked on the moonlight changed to the white light of early morning. As we passed the last houses I saw a dark, shabby man with a dagger in his hand; he was wearing rags bound round his feet, so that he walked quite soundlessly; there was a stain as of blood on one of his sleeves; I took him to be a robber or a murderer and was afraid. But as he came nearer I saw that his eyes, which were fixed immovably on the figure beside me, were filled with a profound, violent adoration such as I had never seen in human eyes before. Then, behind him, I caught sight of a confused crowd of other men and women in curious or ragged clothes, and all had their eyes fixed with the same look on the man walking beside me. I saw their faces only for a moment.

Presently we came to the field, which as we drew near changed into a great plain dotted with little conical hills a little higher than a man's head. All over the plain animals were standing or sitting on their haunches on these little hills--lions, tigers, bulls, deer, elephants, were there; serpents too wreathed their lengths on the knolls; and each was separate and alone, and each slowly lifted its head upward as if in prayer. This upward-lifting motion had a strange solemnity and deliberation; I watched head after head upraised as if proclaiming some truth just realized, and yet as if moved by an irresistible power beyond them. The elephant wreathed its trunk upward, and there was something pathetic and absurd in that indirect act of adoration. But the other animals raised their heads with the inevitability of the sun's rising, as if they knew, like the sun, that a new day was about to begin, and were giving the signal for its coming.

Dawn. Wild animals all raise their heads. Dreamed by Edwin Muir, sketch by Wayan. Click to enlarge.
Then I saw a little dog busily running about with his nose tied to the ground, as if he did not know that the animals had been redeemed. He was a friendly little dog, officiously going about his business, and it seemed to me that he too had a place in this day, and that his oblivious concern with the earth was also a sort of worship.

How the dream ended I do not remember: I have now only a memory of the great animals with all their heads raised to heaven.

NOTES

I had this dream a long time after I left Orkney [Muir's birthplace; archipelago off Scotland]; I was living in London and being psychoanalysed. I had so many dreams about this time that I could hardly keep count of them. In a great number of them I encountered dragons and mythological monsters, the explanation of the analyst being that I had for many years suppressed the animal in myself, so that it could come up now only in these wild and terrifying shapes. He was right up to a point in assuming this, for I had grown up a Puritan, and though I had liberated my mind, my senses were still bound. But he was right only up to a point, for the strange thing about these monsters was that they did not terrify me; instead I felt in a curious way at home with them...

It seems to me that most of the dreams I had about this time were ancestral dreams or Millennial dreams like the one I have just described. Our minds are possessed by three mysteries: where we came from, where we are going, and, since we are not alone, but members of a countless family, how we should live with one another. These questions are aspects of one question, and none of them can be separated from the others and dealt with alone. In my dream about the animals all three questions are involved; for the dream touches the relation between man and the animals and points to his origin, while in the image of the animal kingdom glorified and reconciled with mankind it points simultaneously to man's end, and with that to the way in which he should live in a society, for that question is inseparable from the question of his end.

There were Millennial airs in that dream, or, in the analyst's words, themes from the racial unconscious. But there was also in it something of my first few years: the hills were the little green hills of childhood; the figure who appeared by my bedside was a childish image of Christ; and the event itself, the Millennium, had often been discussed by my father and mother at the Bu [the family farm] after a reading of the Reverend Doctor Baxter, while I listened and almost without knowing it fashioned my own delightful pictures long since forgotten.

--Edwin Muir

EDITOR'S NOTES

Source: The Story and the Fable by Edwin Muir (1940), on his childhood and early years up to the 1920s.
By story he means the events of the material world; by fable, his inner or spiritual life.
The passage was untitled; Animal Transfiguration is just my title of convenience. Digital illustration is mine as well.

--Chris Wayan



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